REAL STORIES. CINEMATIC IMAGES.
Documentary Filmmaker and Portrait Photographer
FROM THE OSCARS TO DAGESTAN
THE CHAMPION
Academy Award–qualifying short film
My short film The Champion, which was featured on National Geographic, qualified for an Academy Award and won many film festival awards, including Aspen Shortfest, Fargo Film Festival, Rhode Island International Film Festival, DeadCenter Film Festival, Side Walk Film Festival, and Palm Springs Film Festival.
The film follows an Iraqi boxer who fled his country, found love in Greece, and built a new life driving a cab in Chicago, working 14-hour days, never seeing his family again, and calling his four American-born children his greatest victory.
My ongoing series Dagestan Diaries is something different. In 2023, I traveled solo to Dagestan, a republic in the Russian Caucasus that few outsiders ever visit, with no crew, no media backing, and no contacts beyond a phone number.
I lived at Russia’s oldest Wushu Sanda boarding school, trained with the founder of the school, and spent weeks earning the trust of world-class fighters, coaches, and families before ever raising my camera.
The series follows that journey: the fighters, the culture, the ancient mountain traditions, and the process behind the images themselves, from earning access to shaping light in places most photographers will never reach.
That process is what I teach in every workshop and expedition.
UPCOMING WORKSHOPS AND EXPEDITIONS
Go beyond sightseeing. Learn to see like a storyteller.
Varanasi Photography Expedition
Photograph Dev Deepawali, sacred rituals, silk weavers, and the raw street life of India’s most spiritual city.
November 21-26, 2026
2027 EXPEDITIONS
Colombia Coffee and Pueblo Photo Expedition
IMAGES FROM THE FIELD
These are the images my students learn to create.
WHAT MAKES THIS DIFFERENT
WHAT STUDENTS SAY
Theadora
New York City
John
New York City
Jorge
Pitalio, Colombia
MEET BRETT
Documentary filmmaker and portrait photographer. I came up in New York’s film production world, where I learned to shape light the way cinematographers do.
A loading dock becomes a stage. A bodega becomes a set. A stranger on the sidewalk becomes a character in a story we’re building together.
The work I care about most happens far from any studio, in Cuban tobacco fields, Colombian mountain towns, and Dagestani fight camps. That trust, that access, that way of seeing is what I teach.
Small groups. Real access. Cinematic images.
Have a project in mind?
Commercial photography, video, or collaborations.